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john lee hooker mr. lucky

He was beloved worldwide as the king of the endless boogie, a genuine blues superstar whose droning, hypnotic one-chord grooves were at once both ultra-primitive and timeless. But John Lee Hooker recorded in a great many more styles than that over a career that stretched across more than half a century. The seeds for his eerily mournful guitar sound were planted by his stepfather, Will Moore, while Hooker was in his teens.

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Overnight visitors left their mark on the youth, too: So he relocated to Cincinnati for a seven-year stretch before making the big move to the Motor City in Jobs were plentiful, but Hooker drifted away from day gigs in favor of playing his unique free-form brand of blues. Inthe aspiring bluesman hooked up with entrepreneur Bernie Besman, who helped him hammer out his solo debut sides, "Sally Mae" and its seminal flip, "Boogie Chillen.

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Their efforts were quickly rewarded. Modern released several more major hits by "the Boogie Man" after that: But Hooker never, ever let something as meaningless as a contract stop him for making recordings for other labels. Hooker became the point man for the growing Detroit blues scene during this incredibly prolific period, recruiting guitarist Eddie Kirkland as his frequent duet partner while still recording for Modern.

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Hooker had recorded with various combos along the way before, but never with sidemen as versatile and sympathetic as guitarist Eddie Taylor and harpist Jimmy Reed, who backed him at his initial Vee-Jay date that produced "Time Is Marching" and the superfluous sequel "Mambo Chillun. Back home, Hooker cranked out gems for Vee-Jay through "Big Legs, Tight Skirt," one of his last offerings on the logo, was also one of his bestbefore undergoing another extended round of label-hopping except this time, he was waxing whole LPs instead of scattered 78s. Eventually, though, the endless boogie formula grew incredibly stagnant. A cameo in the movie The Blues Brothers was welcome, if far too short.

john lee hooker mr. lucky

Major labels were just beginning to take notice of the growing demand for blues records, and Pointblank snapped Hooker up, releasing Mr. Another Pointblank set, Boom Boom, soon followed. He spent much of his time in semi-retirement, splitting his relaxation time between several houses acquired up and down the California coast. When the right offer came along, though, he took it, including an amusing TV commercial for Pepsi. We could not find iTunes on your computer.

The Best Of John Lee Hooker PDF Download

I Cover the Waterfront. Father Was a Jockey. About John Lee Hooker. Bang, Bang, Bang, Bang. The Motor City Is Burning.

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